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Sisley exhibited
in four of the seven Impressionist Exhibitions. By 1880, his work
developed its own particular vocabulary in a series of landscapes
that demonstrate the lyricism of the effects of light and capturing
the moment. Sisley, like Monet, remained most faithful to the
original Impressionist ideas, applied throughout his career to
urban landscape and garden subjects. Although he visited England
and painted there, Sisley was deeply attached to the bucolic charm
of the French countryside, its meadows and rivers.
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