Abstract Expressionism
Piet Mondriaan
Franz Kline

Helen Frankenthaler
Jackson Pollock
Mark Rothko
Willem DeKooning


AMERICAN ART
Andrew Wyeth
Arthur Dove
Charles Demuth
Charles Sheeler

Damien Hirst

Edward Hopper
Frederick Remington
Georgia O'Keefe
Grant Wood
James Whistler
John Singer Sargent
Norman Rockwell
Verner
Winslow Homer

ART NOUVEAU
Alphonse Mucha
Henri de Toulouse-Lautrec


BAROQUE ART
Caravaggio
Peter Paul Rubens
Rembrandt


BAUHAUS
Paul Klee
Wassily Kandinsky

CONSTRUCTIVISM
Kasimir Malevich


CUBISM
Fernand Leger
George Braque
Juan Gris
Pablo Picasso


DADA - SURREALISM
Henri Rousseau
Man Ray

Marc Chagall
Marcel Duchamp
Max Ernst
Rene Magritte
Salvador Dali


OTHERS

Alexander Calder
Amedeo Modigliani
Ando Hiroshige

Andre Derain
Arthur John
Elsley
Arthur Hughes
Canaletto
Diego Rivera
Eric Waugh
Emily Carr
Frank Stella
Giovanni Piranesi
Giuseppe Arcimboldo
Henri Matisse
Howard Hodgkin
H.R. Giger
James Tissot
Jan Vermeer
Jean Millet
Jean-Michel Basquiat
Joaquin Bastida
John Atkinson Grimshaw
John Constable
Josef Albers
Joseph Turner
Jules Breton
JW Waterhouse
Katsushika Hokusai
Lawrence Alma-Tadema
M.C. Escher

Pierre Bonnard
Robert Delaunay
Raoul Dufy
William A.
Bouguereau



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Born on June 10, 1880 in Chatou, France, Andre Derain's family initially intended for him to be an engineer. However, he began painting at fifteen to become one of the more prolific fauve artists. Derain's passion for art was apparent at an early age and he even once admitted to being obsessed with the Louvre. He met Henri Matisse early on in his career and then Vlaminck in 1900, a meeting which many art historians consider the birth of Fauve art.



Derain and Vlaminck were good friends and exchanged artistic and literary ideas. They often painted together. Derain's paintings are very ecclectic and one can trace his various stages of experimentation. His more famous piece, La Danse, was influenced by Gauguin as seen in Derain's use of earth tones. Other works such as his series in London and sailboats were more reminiscent of impressionism.



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