Abstract Expressionism
Piet Mondriaan
Franz Kline

Helen Frankenthaler
Jackson Pollock
Mark Rothko
Willem DeKooning


AMERICAN ART
Andrew Wyeth
Arthur Dove
Charles Demuth
Charles Sheeler

Damien Hirst

Edward Hopper
Frederick Remington
Georgia O'Keefe
Grant Wood
James Whistler
John Singer Sargent
Norman Rockwell
Verner
Winslow Homer

ART NOUVEAU
Alphonse Mucha
Henri de Toulouse-Lautrec


BAROQUE ART
Caravaggio
Peter Paul Rubens
Rembrandt


BAUHAUS
Paul Klee
Wassily Kandinsky

CONSTRUCTIVISM
Kasimir Malevich


CUBISM
Fernand Leger
George Braque
Juan Gris
Pablo Picasso


DADA - SURREALISM
Henri Rousseau
Man Ray

Marc Chagall
Marcel Duchamp
Max Ernst
Rene Magritte
Salvador Dali


OTHERS

Alexander Calder
Amedeo Modigliani
Ando Hiroshige

Andre Derain
Arthur John
Elsley
Arthur Hughes
Canaletto
Diego Rivera
Eric Waugh
Emily Carr
Frank Stella
Giovanni Piranesi
Giuseppe Arcimboldo
Henri Matisse
Howard Hodgkin
H.R. Giger
James Tissot
Jan Vermeer
Jean Millet
Jean-Michel Basquiat
Joaquin Bastida
John Atkinson Grimshaw
John Constable
Josef Albers
Joseph Turner
Jules Breton
JW Waterhouse
Katsushika Hokusai
Lawrence Alma-Tadema
M.C. Escher

Pierre Bonnard
Robert Delaunay
Raoul Dufy
William A.
Bouguereau



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Andy Warhol was born in 1930 in the coal-mining town of McKeesport, Pennsylvania, USA. His parents were Czech immigrants. When his father, a miner, died in a mining accident Andy was forced to support his family through odd jobs. He worked his way through Carnegie Tech., Pittsburgh where he studied commercial art. While in Pittsburgh, Warhol got to know the painter Philip Pearlstein, who was studying under Lepper at the time. In 1952 when Warhol graduated he moved to New York where he launched a successful career as an illustrator.



Warhol began producing Pop pictures in 1960 with works based on Popeye, Nancy and Dick Tracy comics. These early works were first shown as backdrops for department store windows and were painted in a loosely brushed style based on Abstract Expressionism. Warhol's first works using comic material tended to soften hard professional gestures and aggressive vocabulary of the texts and images. By contrast, Lichtenstein's work (neither of the artists had heard of the other at this stage) strained the harsh language of the comic strip to its utmost limits of perfection and artificiality. Warhol countered the scrupulous accuracy of the original genre with imprecision and deliberate error. In doing so, he soiled the comic strips narrow-minded ideological and decorative purity.



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