Abstract Expressionism
Piet Mondriaan
Franz Kline

Helen Frankenthaler
Jackson Pollock
Mark Rothko
Willem DeKooning


AMERICAN ART
Andrew Wyeth
Arthur Dove
Charles Demuth
Charles Sheeler

Damien Hirst

Edward Hopper
Frederick Remington
Georgia O'Keefe
Grant Wood
James Whistler
John Singer Sargent
Norman Rockwell
Verner
Winslow Homer

ART NOUVEAU
Alphonse Mucha
Henri de Toulouse-Lautrec


BAROQUE ART
Caravaggio
Peter Paul Rubens
Rembrandt


BAUHAUS
Paul Klee
Wassily Kandinsky

CONSTRUCTIVISM
Kasimir Malevich


CUBISM
Fernand Leger
George Braque
Juan Gris
Pablo Picasso


DADA - SURREALISM
Henri Rousseau
Man Ray

Marc Chagall
Marcel Duchamp
Max Ernst
Rene Magritte
Salvador Dali


OTHERS

Alexander Calder
Amedeo Modigliani
Ando Hiroshige

Andre Derain
Arthur John
Elsley
Arthur Hughes
Canaletto
Diego Rivera
Eric Waugh
Emily Carr
Frank Stella
Giovanni Piranesi
Giuseppe Arcimboldo
Henri Matisse
Howard Hodgkin
H.R. Giger
James Tissot
Jan Vermeer
Jean Millet
Jean-Michel Basquiat
Joaquin Bastida
John Atkinson Grimshaw
John Constable
Josef Albers
Joseph Turner
Jules Breton
JW Waterhouse
Katsushika Hokusai
Lawrence Alma-Tadema
M.C. Escher

Pierre Bonnard
Robert Delaunay
Raoul Dufy
William A.
Bouguereau



In Association with Art.com
Buy this poster at Art.com



























Manet was born in Paris on 23 January, 1832, the eldest son of a high official in the French Ministry. In 1848 he failed the entrance exam to naval college. He subsequently went to sea with the merchant marines to avoid studying law, as his father wished. He became a painter against his father's advice, joining the studio of the respected academic painter Thomas Couture in 1850.



Though he remained with Couture for six years, Manet gained his real knowledge of art during visits to Italy in 1853 and 1857, and to Germany and Holland in 1856. Those trips exposed Manet to the same masters who had so profoundly interpreted realism in the past: Hals, Velazquez and Goya. Highly independent, and extraordinarily original in both his unconventional portrayals of modern life and his spontaneous brushwork, he struggled for academic acceptance throughout his life. Although Manet was rebellious in his subject matter, he craved official recognition, and this may be why he never 'compromised' himself by exhibiting at any of the Impressionist exhibitions. He claimed that he had 'no intention of overthrowing old methods of painting, or creating new ones'.



All images are for sale.

Page1 | Page2 | Page3

Click on BUY to purchase the posters, or ENLARGE it to help you make up your mind.


In Association with Art.com
Buy this poster at Art.com

In Association with Art.com
Buy this poster at Art.com




© FUN GROUP INC. 2003-2006