Abstract Expressionism
Piet Mondriaan
Franz Kline

Helen Frankenthaler
Jackson Pollock
Mark Rothko
Willem DeKooning


AMERICAN ART
Andrew Wyeth
Arthur Dove
Charles Demuth
Charles Sheeler

Damien Hirst

Edward Hopper
Frederick Remington
Georgia O'Keefe
Grant Wood
James Whistler
John Singer Sargent
Norman Rockwell
Verner
Winslow Homer

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Alphonse Mucha
Henri de Toulouse-Lautrec


BAROQUE ART
Caravaggio
Peter Paul Rubens
Rembrandt


BAUHAUS
Paul Klee
Wassily Kandinsky

CONSTRUCTIVISM
Kasimir Malevich


CUBISM
Fernand Leger
George Braque
Juan Gris
Pablo Picasso


DADA - SURREALISM
Henri Rousseau
Man Ray

Marc Chagall
Marcel Duchamp
Max Ernst
Rene Magritte
Salvador Dali


OTHERS

Alexander Calder
Amedeo Modigliani
Ando Hiroshige

Andre Derain
Arthur John
Elsley
Arthur Hughes
Canaletto
Diego Rivera
Eric Waugh
Emily Carr
Frank Stella
Giovanni Piranesi
Giuseppe Arcimboldo
Henri Matisse
Howard Hodgkin
H.R. Giger
James Tissot
Jan Vermeer
Jean Millet
Jean-Michel Basquiat
Joaquin Bastida
John Atkinson Grimshaw
John Constable
Josef Albers
Joseph Turner
Jules Breton
JW Waterhouse
Katsushika Hokusai
Lawrence Alma-Tadema
M.C. Escher

Pierre Bonnard
Robert Delaunay
Raoul Dufy
William A.
Bouguereau



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Gustave Caillebotte was born in 1848 to a wealthy family who had made their money in textiles and real estate during the redevelopment of Paris in the 1860s. In 1875, wishing to make his public debut, he submitted a painting to the Salon jury, which rejected it. That work was probably the Floorscrapers, which Caillebotte then decided to exhibit in a more hospitable environment, that of the second Impressionist group exhibition of 1876.



His work, highly acclaimed, stole the show and helped to make the second exhibition far more of a popular success than the first. Wealthy and generous, Caillebotte financially supported his Impressionist friends by purchasing their works at inflated prices and underwriting many of the expenses encurred for the exhibitions.


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