Abstract Expressionism
Piet Mondriaan
Franz Kline

Helen Frankenthaler
Jackson Pollock
Mark Rothko
Willem DeKooning


AMERICAN ART
Andrew Wyeth
Arthur Dove
Charles Demuth
Charles Sheeler

Damien Hirst

Edward Hopper
Frederick Remington
Georgia O'Keefe
Grant Wood
James Whistler
John Singer Sargent
Norman Rockwell
Verner
Winslow Homer

ART NOUVEAU
Alphonse Mucha
Henri de Toulouse-Lautrec


BAROQUE ART
Caravaggio
Peter Paul Rubens
Rembrandt


BAUHAUS
Paul Klee
Wassily Kandinsky

CONSTRUCTIVISM
Kasimir Malevich


CUBISM
Fernand Leger
George Braque
Juan Gris
Pablo Picasso


DADA - SURREALISM
Henri Rousseau
Man Ray

Marc Chagall
Marcel Duchamp
Max Ernst
Rene Magritte
Salvador Dali


OTHERS

Alexander Calder
Amedeo Modigliani
Ando Hiroshige

Andre Derain
Arthur John
Elsley
Arthur Hughes
Canaletto
Diego Rivera
Eric Waugh
Emily Carr
Frank Stella
Giovanni Piranesi
Giuseppe Arcimboldo
Henri Matisse
Howard Hodgkin
H.R. Giger
James Tissot
Jan Vermeer
Jean Millet
Jean-Michel Basquiat
Joaquin Bastida
John Atkinson Grimshaw
John Constable
Josef Albers
Joseph Turner
Jules Breton
JW Waterhouse
Katsushika Hokusai
Lawrence Alma-Tadema
M.C. Escher

Pierre Bonnard
Robert Delaunay
Raoul Dufy
William A.
Bouguereau



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Man Ray was born August 27, 1890 and Died November 18, 1976. He was a pioneering painter and photographer in the Dada, surrealist, and abstract art movements of the 1920s and 1930s. He founded the New York City Dada movement with his friends Marcel Duchamp and Francis Picabia and then moved to Paris in 1921, where he became a portrait photographer to the intellectual avant-garde.



Although he was familiar with the work of Alfred Stieglitz when he was a struggling young artist in New York, Man Ray did not take up photography until he reached Paris in the early 20's; and he did so, initially out of need rather than desire. Unable to sell his paintings, he turned to fashion photography and protraiture. He was extrordinarily successful in both areas. By 1921, Man Ray's work was causing something of a sensation due to his use of natural light, sharp clear contrast and informal poses. His work seemed extreme or avant-guarde at a time when Pictorialism was still the predominant style of photography in Europe.




















































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