Abstract Expressionism
Piet Mondriaan
Franz Kline

Helen Frankenthaler
Jackson Pollock
Mark Rothko
Willem DeKooning


AMERICAN ART
Andrew Wyeth
Arthur Dove
Charles Demuth
Charles Sheeler

Damien Hirst

Edward Hopper
Frederick Remington
Georgia O'Keefe
Grant Wood
James Whistler
John Singer Sargent
Norman Rockwell
Verner
Winslow Homer

ART NOUVEAU
Alphonse Mucha
Henri de Toulouse-Lautrec


BAROQUE ART
Caravaggio
Peter Paul Rubens
Rembrandt


BAUHAUS
Paul Klee
Wassily Kandinsky

CONSTRUCTIVISM
Kasimir Malevich


CUBISM
Fernand Leger
George Braque
Juan Gris
Pablo Picasso


DADA - SURREALISM
Henri Rousseau
Man Ray

Marc Chagall
Marcel Duchamp
Max Ernst
Rene Magritte
Salvador Dali


OTHERS

Alexander Calder
Amedeo Modigliani
Ando Hiroshige

Andre Derain
Arthur John
Elsley
Arthur Hughes
Canaletto
Diego Rivera
Eric Waugh
Emily Carr
Frank Stella
Giovanni Piranesi
Giuseppe Arcimboldo
Henri Matisse
Howard Hodgkin
H.R. Giger
James Tissot
Jan Vermeer
Jean Millet
Jean-Michel Basquiat
Joaquin Bastida
John Atkinson Grimshaw
John Constable
Josef Albers
Joseph Turner
Jules Breton
JW Waterhouse
Katsushika Hokusai
Lawrence Alma-Tadema
M.C. Escher

Pierre Bonnard
Robert Delaunay
Raoul Dufy
William A.
Bouguereau



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A French painter, born in La Rochelle in 1825, Bouguereau studied at the Ecole des Beaux-Arts, and was awarded the Grand Prix de Rome in 1850. His favourite subjects were scenes from mythology and allegorical religious and genre themes, which he rendered in the glossy, pseudo-classic style that was favoured by the academic painters of his time. With the advent of Impressionism at the end of the 19th century, his stylised, sentimental paintings were rejected by the public and critics alike, though his style, with an extreme eclecticism and slick, almost photographic realism is highly respected. Bouguereau was one of the key supporters of The Salon, the first official art exhibition held in France and limited to members of the Royal Academy.



The term Salon derived from the Salon d'Apollon, in the Louvre, where the annual exhibitions were first held. Until the 19th century the limited number of artists who were allowed to show at these salon exhibitions had a monopoly on publicity and sales of art. After his death in 1905, his work was all but forgotten for many years. Later his paintings were returned to view as part of a renewed interest in academic painting and of Ecole des Beaux-Arts works in general.



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